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Willis Earl Beal: “Evening’s Kiss” Live + Studio Version

March 5, 2012

Perhaps the most inviting part of the intrigue surrounding singer-songwriter Willis Earl Beal for me has been just how uninviting his first official cut feels to many upon first listen: Even if you set aside its decidedly lo-fi tone, we’re left with a tune that one could argue is a bit monotonous. It’s that deliberate, unsettling quality, though, that finally found a restless spot in these bones — like an old Robert Johnson hotel room recording or, given Beal’s visual art, Daniel Johnston. What Beal doesn’t reveal in the LP version of “Evening’s Kiss,” however, is his considerable vocal range and R&B influence. Now having witnessed him perform the tune live, it’s clear that this so-called “outsider artist” can bend this material in a number of directions, all of which were explored with an inviting stage presence to the crowd in Manchester, England over the weekend.

Get acquainted with the official video (animated by Beal himself, of course) along with solo live versions of the song and album track “Wavering Lines” below:

Video: Jack White on SNL

March 4, 2012

Jack White returned to NBC’s Saturday Night Live tonight for his first appearance on the show since the White Stripes promoted White Blood Cells on the long-running sketch comedy program back in 2002. Now with a debut solo LP in tow, White chose a set list that echoed that year’s quite a bit, following up those decade-old performances of the blistering “Dead Leaves and the Dirty Ground” and more hushed “We’re Going to Be Friends,” with his low-key lead single, “Love Interruption,” and our first taste of the thrilling, high-octane new number “Sixteen Saltines.”

Watch White unveil Blunderbuss with an all-female band on the former and all-male ensemble rocking the latter below:

“Love Interruption”

“Sixteen Saltines”

Mumford and Sons: “The Enemy” (Full Song)

March 3, 2012

Back in the fall, Mumford & Sons shared a brief yet promising preview of their original contribution to the latest adaptation of Wuthering Heights, directed by Andrea Arnold. Now “The Enemy” has hit the web in full, complete with three-and-a-half minutes of hushed, poignant folk harmonies and lightly plucked banjo that creates a moody atmosphere culminating in a few chilling piano chords that leave you hanging. It’s the kind of subtly rousing tune you can’t help but spin a few times for full effect. Check it out below:

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